Who Rejected Megastar Chiranjeevi’s Films? : Things you need to Know

Who Rejected Megastar Chiranjeevi’s Films? : In the vibrant tapestry of the Indian film industry, collaborations between stars from different regions often lead to captivating cinematic experiences. One such instance that garnered attention recently involves Malayalam actor Prithviraj Sukumaran and Telugu megastar Chiranjeevi. While Chiranjeevi is renowned for his powerhouse performances and box office hits, Prithviraj Sukumaran stands tall as a versatile actor and emerging director in the Malayalam cinema landscape. Their paths intersected when Chiranjeevi approached Prithviraj for roles in his films, only to face double rejection due to Prithviraj’s prior commitments, unveiling an intriguing anecdote of professional integrity amidst the glitz and glamour of the entertainment world.

Chiranjeevi, an iconic figure in South Indian cinema, has been captivating audiences with his stellar performances for decades. With his recent successes, including the 2023 Telugu blockbuster “Waltair Veerayya,” and the ambitious project “Bhola Shankar,” expectations are soaring high for his upcoming venture, “Vishwambhara,” helmed by director Mallidi Vassishta. Amidst the buzz surrounding his projects, Chiranjeevi’s films have become highly coveted opportunities for actors across the industry.

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However, there exists a lesser-known tale of two missed collaborations involving Prithviraj Sukumaran. The Malayalam star, currently in the limelight for his much-anticipated film “Aadujeevitham,” shared insights into his encounters with Chiranjeevi’s projects during a recent promotional event. Reflecting on his journey, Prithviraj unveiled how he had to turn down not one, but two offers from Chiranjeevi, underscoring the unwavering commitment he held towards his ongoing commitments.

The first instance dates back to 2017 when Chiranjeevi approached Prithviraj for a pivotal role in the epic film “Sye Raa Narasimha Reddy.” Despite the allure of the project and the opportunity to work alongside a stalwart like Chiranjeevi, Prithviraj found himself entangled in the production of “Aadujeevitham.” Bound by his dedication to the role and the film’s shooting schedule, Prithviraj was compelled to decline the offer, a decision that showcased his professionalism and respect for prior commitments.

The saga continued in 2019, during the release of Prithviraj’s directorial debut, “Lucifer.” As Chiranjeevi ventured into Kerala for the promotion of “Sye Raa Narasimha Reddy,” Prithviraj found himself in the midst of a pivotal moment in his career. “Lucifer,” starring Mohanlal, emerged as a game-changer in Malayalam cinema, captivating audiences and critics alike. Seizing the opportunity, Chiranjeevi acquired the rights to remake “Lucifer” in Telugu, once again extending an offer to Prithviraj. However, history repeated itself as Prithviraj, steadfast in his commitment to “Aadujeevitham,” respectfully declined the offer, thereby maintaining the integrity of his prior engagements.

Prithviraj’s unwavering dedication to his craft and his respect for commitments exemplify the essence of professionalism in the film industry. While the missed opportunities with Chiranjeevi’s films might have showcased Prithviraj’s humility, they also underscore his principled approach to his career, ensuring that each project receives his undivided attention and commitment.

As the curtains rise on “Aadujeevitham” and Prithviraj Sukumaran’s journey continues to unfold, his encounters with Chiranjeevi’s projects serve as a testament to the values of integrity and professionalism that define the ethos of the Indian film industry. Through his actions, Prithviraj emerges not just as a talented actor and director but as a beacon of reliability and dedication in an industry marked by its dynamism and unpredictability.